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	<title>Riccardo Mantelli</title>
	<link>https://riccardomantelli.cargo.site</link>
	<description>Riccardo Mantelli</description>
	<pubDate>Sun, 26 Feb 2023 08:48:29 +0000</pubDate>
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		<title>Top</title>
				
		<link>https://riccardomantelli.cargo.site/Top</link>

		<pubDate>Wed, 12 Aug 2020 14:29:11 +0000</pubDate>

		<dc:creator>Riccardo Mantelli</dc:creator>

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		<description>Riccardo MantelliArtist - Creative Technologist&#38;nbsp;</description>
		
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		<title>Header</title>
				
		<link>https://riccardomantelli.cargo.site/Header</link>

		<pubDate>Wed, 12 Aug 2020 14:29:11 +0000</pubDate>

		<dc:creator>Riccardo Mantelli</dc:creator>

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		<description>
	
	January, 2023
	11-11 Cosmic Interplay&#38;nbsp;


Riccardo Mantelli, in collaborazione con lo studio londinese Universe Everywhere, presenta un'opera d'arte interattiva, 
che unisce il mondo dei dati con quello dell'arte. La scultura di dati, che sarà esposta negli spazi di BOOM, mostra una rappresentazione visiva dei dati e come essi influiscono sulla nostra vita quotidiana. Questa installazione è creata da tecnologie avanzate, tra cui proiezioni, luci e suoni, che creeranno un'esperienza immersiva generativa, sinestetica e coinvolgente per il pubblico. Utilizzando varianti dell'attrattore di Lorenz, conosciuto da tutti per l'effetto farfalla, l'installazione mostra come piccole variazioni iniziali possono avere conseguenze significative sul comportamento futuro. Il pubblico può interagire con l'opera muovendosi nello spazio, toccando i dati visualizzati e intuendo il loro effetto sulla propria vita quotidiana. Inoltre, l'installazione si apre come una finestra sull'universo, catturando eventi celesti e intrecciando i dati del cosmo con quelli raccolti, generando una danza cromatica e un'esperienza unica.
http://11-11.io/











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		<title>Haptik k</title>
				
		<link>https://riccardomantelli.cargo.site/Haptik-k</link>

		<pubDate>Sun, 26 Feb 2023 08:48:29 +0000</pubDate>

		<dc:creator>Riccardo Mantelli</dc:creator>

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		<description>
	
	January, 2023
	

11-11 haptik k&#38;nbsp;
KENZO TERADA&#38;nbsp;
NFC Algorithms Injections Knitted on woole and fibersEsistono quelle che chiamiamo immagini di cose, che per così dire staccate dalla superficie degli oggetti, volano di qua e di là nell'aria .  .  .  Dico adunque che somiglianze o sagome sottili vengono emesse dalla superficie delle cose che dobbiamo chiamare per così dire pellicole o cortecce.
Lucrezio

L'anima è ciò che ha pieghe ed è piena di pieghe.
Gilles Deleuze

Un incontro di due ricerche parallele, una quella di Kenzo che nasce dagli incroci delle punte dei suoi uncinetti che fa nascere una parvenza di organicità nelle linee e sulle superfici delle sue creazioni. La stessa organicità ricercata nei codici e negli algoritmi di Mantelli. Entrambe immersi nelle pieghe dove si nasconde una profondità che merita di essere contattata. L’incontro di questi due mondi alla parvenza così distanti, non è casuale. La storia degli algoritmi è intimamente connessa con quella dei tessuti. Gli antenati dei moderni calcolatori sono proprio i telai che hanno ispirato Charles Babbage guardando alle invenzioni di Jacquard. I capi di Kenzo diventano così esplorabili in un’altra dimensione, grazie agli algoritmi iniettati tra le pieghe e i filati. Gli algoritmi, i numeri diventano così toccabili e diventano interfaccia aptica per esplorare la superficie, manifestazione di una profondità sconosciuta.
http://11-11.io/











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		<title>Bosco</title>
				
		<link>https://riccardomantelli.cargo.site/Bosco</link>

		<pubDate>Mon, 20 Feb 2023 21:01:56 +0000</pubDate>

		<dc:creator>Riccardo Mantelli</dc:creator>

		<guid isPermaLink="true">https://riccardomantelli.cargo.site/Bosco</guid>

		<description>
	
	February, 2022
	

11-11 æthe r s p ac e

"Il bosco che non c'è".Riallacciarsi con la natura e ritrovare il senso delle connessioni e della rete invisibile che la circonda.
Concept: @antonella_cirigliano e Hamayl AngeloTesto e Mantra: Hamayl AngeloVideo: Stefania CarbonaraCreative technologists e rituali elettronici: Riccardo MantelliAssistente creative technologists: Soham DasSound designer: Guido TattoniAssistente sound designer: Nat PolvaniPerformer: Elisa Sbaragli e Sabrina SaporitiScene e oggetti: Giulio Marco OliveroAssistente alla scena: Sabrina SaporitiCostumi: Sara Schiatti, Anna Carubelli e Camilla Ruggerini
http://11-11.io/
Photos: 
Stefania Carbonara &#38;nbsp;Marlin Dedaj










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		<title>Tattoni</title>
				
		<link>https://riccardomantelli.cargo.site/Tattoni</link>

		<pubDate>Tue, 15 Mar 2022 17:25:00 +0000</pubDate>

		<dc:creator>Riccardo Mantelli</dc:creator>

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		<description>

	
	July, 2021
	GUIDO TATTONI
BABELEhttps://www.youtube.com/watch?v=yJf0M13aRjchttps://vimeo.com/636076983
Una coproduzione Associazione LIS LAB Performing Arts &#124; CROSS Festival City Contemporary Dance Company – Hong KongIn collaborazione con Associazione Culturale VANIn partenariato con Città di Verbania

Progetto promosso dal Ministero degli Affari Esteri e della Cooperazione Internazionale – Direzione Generale per la Promozione del Sistema Paese, in collaborazione con la Direzione Generale Spettacolo del Ministero per i Beni e le Attività Culturali e per il Turismo, nell’ambito del progetto Vivere all’italiana sul palcoscenico.









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		<title>Joan Thiele Intervallo</title>
				
		<link>https://riccardomantelli.cargo.site/Joan-Thiele-Intervallo</link>

		<pubDate>Tue, 16 Nov 2021 18:49:48 +0000</pubDate>

		<dc:creator>Riccardo Mantelli</dc:creator>

		<guid isPermaLink="true">https://riccardomantelli.cargo.site/Joan-Thiele-Intervallo</guid>

		<description>
	



	
July, 2021
	

JOAN THIELEINTERVALLO - CORAJE https://www.youtube.com/watch?v=6SDybYl32ZEA video by goofy studio
Directed by Alessio Hong
Cinematography by Gianluca Oliva
Sound engineer, mix &#38;amp; master: 
Milo Benericetti

Creative Technologyst &#38;amp; Plant Interfacing: 
Riccardo Mantelli

Set stylist: Carlo Cossignani

Make-up: Serena Congiu

Hair-style: Alfaparf Italia

Creative Direction: Giovanni Viganò e Roberto Ortu


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		<title>OSS</title>
				
		<link>https://riccardomantelli.cargo.site/OSS-1</link>

		<pubDate>Tue, 06 Jul 2021 15:19:35 +0000</pubDate>

		<dc:creator>Riccardo Mantelli</dc:creator>

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		<description>OSS&#38;nbsp;Dataoulipo, Databent, 
Corrupted images,2004—2020

	&#60;img width="1078" height="1600" width_o="1078" height_o="1600" data-src="https://freight.cargo.site/t/original/i/b64ed3f54e2ab3d15d0f1b313503f7b262d227acb01d92d363fd7badf80be32b/3ce54bb3-9509-4fbc-9112-d51f24828540.jpeg" data-mid="113171059" border="0"  src="https://freight.cargo.site/w/1000/i/b64ed3f54e2ab3d15d0f1b313503f7b262d227acb01d92d363fd7badf80be32b/3ce54bb3-9509-4fbc-9112-d51f24828540.jpeg" /&#62;&#60;img width="1102" height="1600" width_o="1102" height_o="1600" data-src="https://freight.cargo.site/t/original/i/ef1aba227d283259c55768abcc91228c0f5f1bf0ae906fc97ab952a01f2ef11c/dd1a2278-93fc-435c-a0d9-f61037a2c7c3.jpeg" data-mid="113171063" border="0"  src="https://freight.cargo.site/w/1000/i/ef1aba227d283259c55768abcc91228c0f5f1bf0ae906fc97ab952a01f2ef11c/dd1a2278-93fc-435c-a0d9-f61037a2c7c3.jpeg" /&#62;&#60;img width="1075" height="1600" width_o="1075" height_o="1600" data-src="https://freight.cargo.site/t/original/i/2326a75d34479580ecdebaa9edc2ec16b70d006e2b3f5d69d7cd153f88e008b2/e64a2a02-6215-4c29-a517-ddb96a28fddd.jpeg" data-mid="113171064" border="0"  src="https://freight.cargo.site/w/1000/i/2326a75d34479580ecdebaa9edc2ec16b70d006e2b3f5d69d7cd153f88e008b2/e64a2a02-6215-4c29-a517-ddb96a28fddd.jpeg" /&#62;&#60;img width="1075" height="1600" width_o="1075" height_o="1600" data-src="https://freight.cargo.site/t/original/i/526737ea10935d385df5029c80b726e848d297dcdeb30c2d41301e3240bdfa0b/dc2c3fa8-27ea-4e6b-8729-ca7b9c925266.jpeg" data-mid="113171062" border="0"  src="https://freight.cargo.site/w/1000/i/526737ea10935d385df5029c80b726e848d297dcdeb30c2d41301e3240bdfa0b/dc2c3fa8-27ea-4e6b-8729-ca7b9c925266.jpeg" /&#62;
	

	
		
		
	
	
		
			
				
					










OBFUSCATED STRUCTURED SUBSTRATES




Last exhibition:&#38;nbsp;

	october, 23 2020may, 16 2021
	ASSALTO AL CASTELLO
OSSvariazioni sull’errare
Castello Gamba
https://www.castellogamba.vda.it/mostre/archivio_mostre/assalto_al_castello_2020_i.aspx












All artworks are available 
for Gallery Exhibition internationally 
and for publishing.


Original artworks are also available 
directly from the Studio 
as well as Private commissions



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		<title>Information</title>
				
		<link>https://riccardomantelli.cargo.site/Information</link>

		<pubDate>Wed, 12 Aug 2020 14:29:12 +0000</pubDate>

		<dc:creator>Riccardo Mantelli</dc:creator>

		<guid isPermaLink="true">https://riccardomantelli.cargo.site/Information</guid>

		<description>R—MANTELLI

Riccardo Mantelli dismantles 
the alghoritmic pattern which makes 
the software work by opening breaches 
of infidelity in programming
and letting out hypnotic automatisms
 on the oneiric side of the machine,

symptoms of desire for the “dream inducing machine” of the computer:

unproductive drives held inside their 
own silicium reverie.


We are embarking in a journey from 
the ludic desire of a rebellious computer 
to the automatic luddism 
of a machine-like aesthetics 
with a tendency towards disobedience and oriented to the electric filter 
of an aesthetics frozen in the creation act of an anarchic beauty of malfunction.



Riccardo Mantelli smantella il tessuto algoritmico di funzionament del software aprendo brecce di infedeltà nella programmazione, lasciando affiorare automatismi ipnotici nella superficie onirica
della macchina, sintomi di desiderio della “macchina del sogno” del computer: pulsioni improduttive imbrigliate nella propria reverie al silicio. Dal desiderio ludicodi un computer ribelle al luddism automatico di un’estetica macchinalecon una vocazion alla disobbedienza, virata al filtro elettrico di una estetica inceppat nella produzione di bellezza anarchicadel malfunzionamento.








&#38;nbsp; &#38;nbsp; 
&#60;img width="1998" height="530" width_o="1998" height_o="530" data-src="https://freight.cargo.site/t/original/i/0bc478d92549d3760f3446ef27a5f4dd384affbdc2f39eac5ab99130af6f713e/art-logos.png" data-mid="79739748" border="0"  src="https://freight.cargo.site/w/1000/i/0bc478d92549d3760f3446ef27a5f4dd384affbdc2f39eac5ab99130af6f713e/art-logos.png" /&#62;
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		<title>Disobedient Objects</title>
				
		<link>https://riccardomantelli.cargo.site/Disobedient-Objects</link>

		<pubDate>Wed, 12 Aug 2020 14:29:12 +0000</pubDate>

		<dc:creator>Riccardo Mantelli</dc:creator>

		<guid isPermaLink="true">https://riccardomantelli.cargo.site/Disobedient-Objects</guid>

		<description>Disobedient Objects 
for Counter Tourism

 AI Camera, Anti GPS, more2007—20

	&#60;img width="1158" height="1443" width_o="1158" height_o="1443" data-src="https://freight.cargo.site/t/original/i/aab11139fda399f96a5d0e2cbb5377af60c3c7e2e70e553df79f9c42acb94952/AntiGPS.png" data-mid="81201202" border="0" data-scale="58" src="https://freight.cargo.site/w/1000/i/aab11139fda399f96a5d0e2cbb5377af60c3c7e2e70e553df79f9c42acb94952/AntiGPS.png" /&#62;
&#60;img width="1507" height="1147" width_o="1507" height_o="1147" data-src="https://freight.cargo.site/t/original/i/d78ae0be3e2b62e582740cd3e50c7d65ccd60c7c6bee92bab1091e6a147284f7/cam.png" data-mid="81203731" border="0"  src="https://freight.cargo.site/w/1000/i/d78ae0be3e2b62e582740cd3e50c7d65ccd60c7c6bee92bab1091e6a147284f7/cam.png" /&#62;
Algorithmic psychogeography&#38;nbsp;refers to the use of algorithms and digital technologies to explore&#38;nbsp; and navigate urban spaces in non-linear, subjective, and serendipitous ways, often inspired by the principles of psychogeography.&#38;nbsp; It involves using algorithm to generate new routes, maps, and experiences of the city, and can be seen as a form of creative resistance to the rigid and standardized logic of urban planning and design.


	 Homo ludens impinges on his environment:
He interrupts, changes, intensifies; 
he follows paths and in passing, leaves
traces of his presence everywhere. 
— Constant
In a world increasingly pervaded by precision and glossy algorithms we need to get lost and let ourselves go through these disobedient objects.

An invitation to detach oneself, to get lost in the city,&#38;nbsp; to walk around looking around as if lost, curious, to be able to feel in another place, an unknown place,&#38;nbsp; to understand that there is still much to see and experience in our city.

The city we usually traverse is just one of many.

Anti-GPS
An anti-GPS to get lost. Let's forget for a moment our daily pedestrian route and try to experiment&#38;nbsp; with a walk where we are guided by an algorithm.It's the beginning of a new way of walking in the city:&#38;nbsp; not to reach a precise destination, but for the pleasureof doing it, for the pleasure of discovering unseen corners. In a world increasingly pervaded by precision, functionality, and data that construct an almost suffocating parametric reality, getting lost becomes a liberating practice.&#38;nbsp;A moment of reflection to avoid unknowingly sinking into digital noise.

 PhAI
A camera that reverses the user-object role, where an artificial intelligence being uses man to expand his knowledge of the world. An object to reflect on design for non-humans. An object to investigate the expressive capabilities of neural networks and algorithms.
DataDating
A tool to meet the unknown. Disrupting socialization going to different non-appointments around the city.http://coevolvingcreativity.com/

With the contribution 
of 
Alessandro Chessa - Linkalab

All artworks are available for Gallery Exhibition internationally and for publishing.

Original artworks are also available directly from the Studio as well as Private commissions
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		<title>Books</title>
				
		<link>https://riccardomantelli.cargo.site/Books</link>

		<pubDate>Wed, 16 Sep 2020 17:49:59 +0000</pubDate>

		<dc:creator>Riccardo Mantelli</dc:creator>

		<guid isPermaLink="true">https://riccardomantelli.cargo.site/Books</guid>

		<description>&#60;img width="926" height="1388" width_o="926" height_o="1388" data-src="https://freight.cargo.site/t/original/i/fa32201fdca1d7579dec607c38ccf567e35b11f6974f33e32f93c35df6c123d7/oss_cover.png" data-mid="82893862" border="0" data-scale="23" src="https://freight.cargo.site/w/926/i/fa32201fdca1d7579dec607c38ccf567e35b11f6974f33e32f93c35df6c123d7/oss_cover.png" /&#62;&#38;nbsp;Obfuscated Structured Substrates

Riccardo Mantelli dismantles the alghoritmic pattern which makes the software work by opening breaches of infidelity in programming and letting out hypnotic automatisms on the oneiric side of the machine, symptoms of desire for the “dream inducing machine” of the computer: unproductive drives held inside their own silicium reverie.We are embarking in a journey from the ludic desire of a rebellious computer to the automatic luddism of a machine-like aesthetics with a tendency towards disobedience and oriented to the electric filter of an aesthetics frozen in the creation act of an anarchic beauty of malfunction.

Buy Now on Amazon&#38;nbsp;
&#60;img width="926" height="1388" width_o="926" height_o="1388" data-src="https://freight.cargo.site/t/original/i/6e8ae1aeeaf57115cebba4e9c964606ad70ad7e6577a1b93a66807566ffc7d79/gpop.png" data-mid="82893953" border="0" data-scale="42" src="https://freight.cargo.site/w/926/i/6e8ae1aeeaf57115cebba4e9c964606ad70ad7e6577a1b93a66807566ffc7d79/gpop.png" /&#62;
Glitch Pop: An exploration on the glitch-alike aesthetics 
In my works I don't use new media and new technologies in the sense traditionally assigned to them. I try to appropriate their soul, using them in an unusual way and hijacking these technologies; I take a critical and detached position with respect to media mechanisms using strategies of infiltration, provocation and interruption. I mainly dedicate myself to the aesthetics of the error, the disturbance and technical and software failure, the dysfunctionality and aesthetics of the machinery.In a nutshell, I try to make visible those processes that normally work under smooth surfaces, in the depths of the machine.My works approach technology not from the point of view of smoothness, they make the fusion of real and virtual worlds flexible, such as ... those of accident, friction and breakage that represent the necessary elements of any technical reality.
Buy Now on Amazon
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